Also, track it by selecting pan and tilt. Make sure you have enough “softness” to prevent a harsh line from forming in the image. We will create a mask and draw our selection. Shaping the focus of the shot comes next. To prevent the reflection, add a new node and go into hue vs saturation to reduce the saturation of the subject. If you have a subject wearing red, yellow, or blue, watch for shadows that reflect that color into the skin tone. One thing to watch for is color reflection. Try not to crush the blacks to keep it looking crisp. Look at the scopes and adjust contrast until needed. Next, we create a new node and call it contrast. The first thing we will do is change the camera settings, such as color science to IPP2, color space to REDWideGamutRGB, and gamma curve to Log3G10. The footage used is a clip of a girl playing the piano. Let’s learn how to produce high-end color grading for commercial videos using advanced techniques in DaVinci Resolve 16. Advanced Color Grading for High-End Commercial Videos In collaboration with YouTube creator AramK, we bring you a series of Davinci Resolve 16 tutorials to help you get your video project off the ground.

Davinci color grading